[ SKY'S THE LIMIT IN THIS SALE ] |
To QUOTE T. S. Eliot: 'What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from'.
THE STORY:
Christ almighty! What the hell is going on around here,
today! First Aqua-Woman goes home, just after saving Hawkgirl, Major Sato,
and myself, from a parademon attack. Then Hawkgirl introduces me to a number of
funny-faced heroes back at the Batcave. And to top it all off, Red Tornado
informs me that the new Kryptonian is a poxy Acrophobic.
But wait a minute, folks! I may have a plan up my sleeve that
will turn this day around, and put it into a much better light. For after all,
I am the Batman.
THE GOOD:
With hand on my heart I just adored reading this forth part
of 'The Dark Age' for four completely different reasons.
Firstly, Barry Kitson's artwork on this book just blew me
away. As it was well illustrated, well paced, and well amazing to gawp at on
the printed page. Honestly. If Nicola Scott ever decides to jump off this
title, I hope she'll be replaced by him.
Secondly, Tom Taylor's free-flowing and engaging story-line
was right up my alley. Not only because it was more about the characters within
the tale, rather than conveying the actions scenes and the general plot-line.
But also because he managed to balance out these three components in a fairly
fine fashion, without diluting the stories initial intent.
Thirdly, I loved that scene where Aqua-woman drowned those
pardemons in the sky. From my point of view it was a very innovative part of
the tale, and showed great flair where creativity is concerned.
And fourthly, I got a real big kick out that that smashing scene
back at the back-cave, because it managed to introduce us to -- YIPPEEE!!!! --
Corner (Red Arrow) Hawk -- as well as showing us the more caring side of Red (Lois
Lane ) Tornado. Especially during that section
where she tried to talk Val around his acrophobic condition.
THE BAD:
The only aspect about this adventure I wasn't very keen on
would be those sections involving Superman and his gang of parademons. All they
did for a page or two was to pop up, destroy a couple religious landmarks, and
then grimace at the crowd around them. Grrrrr!
THE MUSIC:
Now because of the way this story ended, it has given me a
great excuse to pair it up with one of my all time favorite Rolling
Stones song's, 'Shine A Light'. Hint-Hint!
If you look at this tale from a certain perspective, I'm
sure you'd agree with me when I say it's all about beginnings and endings.
So that's what I'm going to compare it to, folks. Something with a beginning
and an end. A ball of string.
May God have mercy on my soul!
THE CONCLUSION:
Warning. If you haven't read the 'Earth 2' Annual yet,
please bugger off pretty damn quickly because I'm going to be talking about it now.
OK. Not talking-talking, per-say. Cause I don't want to do
another review within a review, as that's would be silly. And I am not silly, am
I? Asparagus. Piano. Swordfish. Instead, I think I'm the type of chap that
looks into things so much, that sometimes I may perceive these things
incorrectly.
Take this title for instance. 'Earth 2'. At the beginning I
thought it was going to be a cleaner and simpler realization of the 'Earth 2'
concept, albeit diluted and transformed in a rather personal fashion. But no.
It wasn't that at all. Under the helm of James Robinson it was one of those
series that couldn't seem to find its correct footing, and kind of fumbled
around in the dark, trying desperately to rectify its errors. And now, under
the helm of Tom Taylor, this book has transmogrified into an amalgamation of
concepts and idea's that I can't wait to see more of.
Well, if you've read the 'Earth 2' Annual I previously
mentioned, you'd know that Tom's has made Thomas Wayne a rather redemptive
character, whilst lavishing him with a story that pays homage to two other
characters, Rex Mason and Rex Tyler.
Furthermore, just to make this 'upgrade' all the more useful, Tom has
garnished him with an origin and an attitude that has a very personal and
associative tone. Thus elevating the concept behind this 'Earth 2 Batman' more
than what I was originally perceived.
Now do you agree with me, folks? Or do you think I'm talking
a lot of twaddle? Let me know, OK? Cause it would be great to hear what you
think too.
Nuff said.
EARTH 2 #20
Reviewed by David Andrews
on
February 24, 2014
Rating: