[ CELEBRATE BATMAN'S 75TH ] |
To QUOTE Hunter S. Thompson: "Crazy' is a term of art; 'Insane' is a term of law. Remember that, and you will save yourself a lot of trouble".
THE STORY:
'I'm going to kicking your f*cking ass in' says Batman to
the Ridder. 'No you won't' says the Riddler in turn. 'Not unless you can answer
my twelve devilish riddles, each one set to blow up Gotham
city unless you answer them correctly'. 'Sh*t' replies the Batman, 'Although I
suppose things could be a lot worse, eh? I could be in Jim Gordon's and Lucius
Fox's shoes. Trying my best to stop a hoard of airplanes from dropping a
nuclear warhead on us...'.
BOOOM!
THE GOOD:
And so after all these months it has finally come to an end.
Savage City
is no more and Gotham City
has been reborn anew. Or has it though?
Well, in my opinion -- yes -- yes it has. Kind of. Ish. More or less. Thanks to
Greg's amazing artwork and Scott's suspenseful story-line, once more a brand new status quo has filled this title with unanswered questions and dynamic
characters. Now one of the stand outs for me was how there was a real sense of
suspense looming over this issue. Going so far as to say that I was completely
engrossed in those scenes where Batman pit his wits against the Riddler.
Also, another aspect about this adventure I rather enjoyed
was how Alfred, Lucius, and Jim Gordon, were treated with some proper respect
throughout. From my point of view it was about bloody time these characters
were given some kudos for what they've done. Because it isn't every day that we
see this type of erstwhile archetype shown some much needed love and closure.
Oh! And while I'm on the topic of closure, wasn't it nice that Bruce and Jim had some sort of implied personal closure? What do you mean 'No'? Tut-tut-tut! Spoil sports.
THE BAD:
The only slight complaint I have with this comic is that I
kind of knew from the get go that Batman was going to save the day, and,
yadda-yadda-yadda. Now please don't get me wrong. I don't have anything against
the actual story-line in itself. It's the foreshadowing aspect I personally
wasn't too keen on. It was as though you knew what was going to happen
afterwards, beforehand, even though to reach that stage was a fairly riveting
thrill.
THE MUSIC:
No matter what way you look at it, folks, one of the main
themes running through this entire issue is about people finding happiness in
the most unorthodox situations. So with that in mind, how could I not pair it
up with the Beatles classic, 'Happiness is a Warm Gun'?
In Japan
there used to be a quiz show called 'Endurance', where a group of idiots --
sorry, I mean 'contestants' -- had to try their best to fight off a number of
hazardous obstacles barring their path. Sometimes these obstacles inflected
pain upon themselves. Where as at other times these obstacles inflicted pain on others.
So simply put, that is exactly what this comic book reminded
me of -- Endurance. Here, check out
this clip to see what I mean.
THE CONCLUSION:
At the very end of this concluding chapter there was a 'One
Month Later' sequence which I myself found quite difficult to swallow. Without
giving too much away it implied two things in retrospect. Firstly, it implied
that Bruce's relationship with Julie Madison happened when they were kid's --
which isn't true -- as it actually happened when he first became Batman. And
secondly it implied that Bruce did something... errr... 'procedural' to himself
so he could forget a certain aspect of his past.
No. I'm not buying it at all. Personally speaking I wasn't
too keen on either of these two scenarios, because: (A) Julie has always been a
linchpin to Bruce's early years. And (B): For the sake of sounding too
judgmental, I think it's completely out of character for Bruce to tamper with
himself to dampen a motivational component of his own psyche.
Nuff said.
BATMAN #33
Reviewed by David Andrews
on
July 31, 2014
Rating: