[ DON'T BE CHEEP. SAVE ME. ] |
To QUOTE Marc Warren: “I don't regret things, because I learn from mistakes. If needs be, I always make amends”.
THE STORY:
To be continued. Yet only if Jason and Damian don't end up killing each other first.
THE GOOD:
As is normally the case with any story involving Jason Todd,
the best part of it is always the interaction between him and the other
characters involved. Bruce struggling to be a good father for Damian, Jason
looking to make amends for his previous actions, and Damian's knee-jerk
reaction at the return of the prodigal son, all of which; really drives home
how different the characters were in the old DCU compared with their New 52 counterparts.
Except for Jason, strangely, who is written very similar to
how he is on the N52.
Ironically, this makes him the most interesting character in
the story. In the pre Flashpoint universe, Jason was a very one dimensional and
shallow character. His actions were erratic and the wish of vengeance against
Batman, his only real motivation. Yet by making him more in line with his N52
version, Jason becomes a more nuanced character and is much more relatable and
appealing to the audience.
Another huge boon for the issue is Denys Cowan’s pencils; so
great that you can get this issue for the art alone.
THE BAD:
Overall I felt that the pacing to this story was very-very
odd. The first half, which introduces the setting, is just great. But once it
actually gets involved with the Convergence plot, it loses all its momentum
from then on in. Although, to be fair, this is a common issue with every
Convergence tie-in, so its more a problem with the format of the event.
Another point I found distracting was Jason’s
characterization. I know it’s contradictory to my earlier praising, but it
simply can’t be ignored. While it is fantastic that he resembles his N52
version, it doesn’t mesh too well with the background he has on the pre
Flashpoint universe. He did too much questionable stuff for Bruce to simply
accept him back without reservations.
However, the biggest problem is that the story is entirely
unremarkable. Marz’s writing, despite being pleasant, is pretty formulaic and
never explores in depth the potential of the setting. We only get
some glimpses of it before the story-line then becomes railroaded into the
event.
THE MUSIC:
I'd say 'Parenthood' was the central theme running throughout
this particular story-line; mostly because Bruce was trying his best to understand
his two sons, while Jason is trying to make amends for his past actions. So with
this in mind, 'The Living Years' by Mike & the Mechanics is the perfect
song to accompany this issue.
THE COMPARISON:
Essentially, Jason is doing his best in this book to earn
Bruce’s trust by not hurting the annoying little kid that is trying to kill him,
intentionally restraining himself for the greater good. So, I couldn’t help but
think that Jason is trying to build a Bridge
with his foster family, and put their past to rest.
THE CONCLUSION:
This was an entertaining issue that despite its small flaws,
is still pretty enjoyable. Whether you’re fan of the characters or just want to
read more of the old DC universe, you will find something interesting within
these pages.
*** This review was brought to you by Adan, Comic Lad
Extraordinaire.
CONVERGENCE - BATMAN & ROBIN #1
Reviewed by David Andrews
on
April 29, 2015
Rating: