Now, if truth be told, I'm not a big fan of rom-coms, saying so because they can sometimes be repetitive, trite, formulaic, and neither romantic nor funny. Come to think of it, I'd rather play a game at my local online casino, using the Multi Lotto Bonus Code 2018, than actually sitting down and watching one! Although, to be fair, going to a casino is kind of like watching this genre of movie, but only a little bit better. If it's good, it's really good, and if it's bad, it's really bad, keeping in mind that both past-times seemingly share a similar reality -- one steeped in financial reclassification.
After all, no matter who you are, everyone needs to earn money! Just ask my mates at Elite Singles, as they've recently compiled a list of jobs commonly featured in rom-coms. At their own discretion, they have carefully selected 50 of the most globally recognized rom-coms and taken note of the careers of their lead characters, both male and female. Along with this, they've also recorded data associated with each production, such as the year it was released, how much it made at the box office (measured in millions), and it's Rotten Tomatoes score. Here, check this out to see what I mean.
So what can we glean from looking at this list? Well, for one thing, journalism seems to be a pretty romantic profession because journalists (or writers in general) have nabbed the top spot for both the male and female categories, all thanks to films such as His Girl Friday (1940), When Harry Met Sally (1989), One Fine Day (1996), Hitch (2005), and Sex and the City (2008), among others. Then, coming in at a close second, was the role of an Architect for a man (Sleepless in Seattle) and a PA for a woman (Music & Lyrics). Which, to be fair, isn't very surprising, because most Architects make a lot of money and are pretty smart, whereas PAs tend to be more subservient yet are equally as proficient.
After all, no matter who you are, everyone needs to earn money! Just ask my mates at Elite Singles, as they've recently compiled a list of jobs commonly featured in rom-coms. At their own discretion, they have carefully selected 50 of the most globally recognized rom-coms and taken note of the careers of their lead characters, both male and female. Along with this, they've also recorded data associated with each production, such as the year it was released, how much it made at the box office (measured in millions), and it's Rotten Tomatoes score. Here, check this out to see what I mean.
Movie Title | Year | Male Job | Female Job | Box Office | Score | |
His Girl Friday |
1940 | Editor | Reporter | N/A | 98% | |
Breakfast at Tiffanys |
1961 | Writer | Socialite | 14 | 88% | |
Annie Hall |
1977 | Comedian | Photographer | 38.3 | 97% | |
Moonstruck |
1987 | Baker | Bookkeeper | 80.6 | 93% | |
Coming to America |
1988 | Prince | Retail Worker | 288.7 | 68% | |
Working Girl |
1988 | Stockbroker | Secretary | 102 | 85% | |
When Harry Met Sally |
1989 | Sports Writer | Journalist | 92.8 | 89% | |
Pretty Woman |
1990 | Businessman | Sex Worker | 463.4 | 61% | |
Sleepless in Seattle |
1993 | Architect | Reporter | 277.8 | 70% | |
Groundhog Day |
1993 | Weatherman | Producer | 70.9 | 96% | |
Four Weddings and a Funeral |
1994 | Unknown | Unknown | 245.7 | 95% | |
One Fine Day |
1996 | Reporter | Architect | 97.5 | 47% | |
As Good as It Gets |
1997 | Novelist | Waitress | 314.1 | 84% | |
My Best Friend's Wedding |
1997 | Unknown | Restaurant Critic | 299.3 | 73% | |
There's Something About Mary |
1998 | Insurance Salesman | Orthopedic Surgeon | 369.9 | 83% | |
Shakespeare in Love |
1998 | Playwright | Actress | 289.3 | 92% | |
You've Got Mail |
1998 | Book Chain Store Owner | Book Store Owner | 250.8 | 69% | |
The Wedding Singer |
1998 | Wedding Singer | Waitress | 123.3 | 71% | |
Notting Hill |
1999 | Book Store Owner | Actress | 364 | 83% | |
Runaway Bride |
1999 | Columnist | Retail Worker | 309.4 | 45% | |
Never Been Kissed |
1999 | Teacher | Journalist | 84.5 | 57% | |
What Women Want |
2000 | Advertising Exec | Advertising Director | 374.1 | 54% | |
Coyote Ugly |
2000 | Bartender | Songwriter | 113.9 | 22% | |
Bridget Jones's Diary |
2001 | Barrister | Publicist | 281.9 | 80% | |
Amelie |
2001 | Retail Worker | Waitress | 174.2 | 89% | |
Shallow Hal |
2001 | Businessman | Philanthropist | 141.1 | 51% | |
America's Sweethearts |
2001 | Actor | PA | 138.2 | 32% | |
The Wedding Planner |
2001 | Pediatrician | Wedding Planner | 94.7 | 16% | |
Serendipity |
2001 | Producer | Counselor | 77.5 | 59% | |
My Big Fat Greek Wedding |
2002 | Teacher | Travel Agent | 368.7 | 76% | |
Two Weeks Notice | 2002 | Real Estate Developer | Lawyer | 200 | 42% | |
Sweet Home Alabama |
2002 | Glassworker | Fashion Designer | 180.6 | 38% | |
Maid in Manhattan |
2002 | Politician | Maid | 154.9 | 39% | |
Something's Gotta Give |
2003 | Music Producer | Playwright | 266 | 71% | |
How to Lose a Guy in 10 Days |
2003 | Advertising Exec | Journalist | 177.4 | 42% | |
50 First Dates |
2004 | Veterinarian | Waitress | 196.3 | 44% | |
13 Going on 30 |
2004 | Photographer | Journalist | 96.5 | 65% | |
Hitch |
2005 | Dating Coach | Gossip Columnist | 368.1 | 68% | |
Just Like Heaven |
2005 | Landscape Architect | Doctor | 102.8 | 56% | |
The Wedding Date |
2005 | Sex Worker | Unknown | 47.2 | 11% | |
Failure to Launch |
2006 | Unemployed | Counselor | 128.4 | 24% | |
Knocked Up |
2007 | Unemployed | TV Presenter | 219.1 | 89% | |
Music and Lyrics |
2007 | Pop Star | PA | 145.9 | 62% | |
Sex and the City |
2008 | Financier | Columnist | 415.2 | 49% | |
27 Dresses |
2008 | Reporter | PA | 160.3 | 41% | |
Forgetting Sarah Marshall |
2008 | Composer | Receptionist | 105.2 | 85% | |
The Proposal |
2009 | PA | Editor in Chief (Pub) | 317.4 | 44% | |
It's Complicated |
2009 | Architect | Baker | 219.1 | 57% | |
500 Days of Summer |
2009 | Architect | PA | 60.7 | 85% | |
Bridesmaids | 2011 | Police Officer | Baker | 288.4 | 90% |
So what can we glean from looking at this list? Well, for one thing, journalism seems to be a pretty romantic profession because journalists (or writers in general) have nabbed the top spot for both the male and female categories, all thanks to films such as His Girl Friday (1940), When Harry Met Sally (1989), One Fine Day (1996), Hitch (2005), and Sex and the City (2008), among others. Then, coming in at a close second, was the role of an Architect for a man (Sleepless in Seattle) and a PA for a woman (Music & Lyrics). Which, to be fair, isn't very surprising, because most Architects make a lot of money and are pretty smart, whereas PAs tend to be more subservient yet are equally as proficient.
Yes, I do know this all sounds rather sexist, and yes, this doesn't sit well with me either. But, that said, please remember that most of these films were made by people living in the Hollywood bubble that presume -- I repeat, presume -- these are the types of careers we aspire to achieve.
Do we though? Do we really want to be a Journalist or an Architect or a PA? Not that I have anything against this, mind you, because each of them are pretty good jobs. Yet, for the sake of argument, let's say we did want one of these roles, do we really need Hollywood to point us in the right direction? Personally, I don't think so, not at all, as we can all make our own minds up and aim to achieve things we see in the real world, rather than a fictionalized story, no matter how glamorous it may seem on the screen. I mean, would you be inspired to become a monster after watching a horror movie? Or better yet, would you want to venture into outer space because of a sci-fi flick?
No. I wouldn't think so. Not generally, anyway, although I do acknowledge that sometimes they can lead us into directions we wouldn't normally take. Besides, most movies, regardless of genre, are generally oversimplified and over-dramatized versions of a fictitious reality. Seriously, when was the last time you saw a rom-com featuring a scruffy mechanic and a prim-and-proper pharmacist? Or for that matter, a modern romance starring two people over the age of 75? Not often, I'm sure, and goes to show that film is film and life is life, and never the twain shall they meet, face to face, or screen to screen.
Do we though? Do we really want to be a Journalist or an Architect or a PA? Not that I have anything against this, mind you, because each of them are pretty good jobs. Yet, for the sake of argument, let's say we did want one of these roles, do we really need Hollywood to point us in the right direction? Personally, I don't think so, not at all, as we can all make our own minds up and aim to achieve things we see in the real world, rather than a fictionalized story, no matter how glamorous it may seem on the screen. I mean, would you be inspired to become a monster after watching a horror movie? Or better yet, would you want to venture into outer space because of a sci-fi flick?
No. I wouldn't think so. Not generally, anyway, although I do acknowledge that sometimes they can lead us into directions we wouldn't normally take. Besides, most movies, regardless of genre, are generally oversimplified and over-dramatized versions of a fictitious reality. Seriously, when was the last time you saw a rom-com featuring a scruffy mechanic and a prim-and-proper pharmacist? Or for that matter, a modern romance starring two people over the age of 75? Not often, I'm sure, and goes to show that film is film and life is life, and never the twain shall they meet, face to face, or screen to screen.
JOBS YOU'LL FIND FEATURED IN ROMANTIC COMEDIES
Reviewed by David Andrews
on
July 10, 2018
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