[ BARGAIN BANE ] |
TO QUOTE Robert
Downey Jr.: ‘Do I want to be a hero
to my son? No. I would like to be a very real human being. That's hard enough’.
THE STORY:
When we last saw Bruce
and Thomas Wayne, the two of them
were trekking through the desert so they could find a Lazarus Pit and then use it to revive Martha Wayne, their dearly departed matriarch.
Well, that’s what we were initially led to believe, until
Bruce suddenly turns the tables on his father and tries to stop him from performing this
sacrilegious act. An act, I hasten to add, that results in one of them being stuck
in the middle of nowhere, while the
other goes back to Gotham City and
continues fighting crime with the rest of his colleagues, such as The Joker, The Riddler, Professor Hugo
Strange, as well as Gotham Girl.
Want to know more? Then please pick up issue 74 and 75 of Batman today. In the meantime though, here,
check this out…
THE REVIEW:
If truth be told, I wasn’t completely sold on these two
episodes of Batman because they were a pretty mixed affair. On the one hand, the artwork was amazing and
they both presented us with some really interesting ideas. While, on the other,
something just didn’t feel quite right!
Something tonal, perhaps, including
the way each installment tried to put across certain underlying traits and attributes that didn’t suit the story or the characters involved. Now to see what I mean, please have a
look at the following five points which will elaborate further.
1) The Bipolar
Origins: Halfway through issue 74,
it was insinuated that Bruce was a fairly spoilt
child and that's why he’s now a very emotional adult! Similarly, it was also insinuated that
Thomas had a slightly more disciplined
childhood and that’s why he’s now a right dickhead.
Although, to be fair, I don’t think these two definitions entirely ring true! If anything, I think they're an oversimplification and very biased in terms of how someone should
bring up their children. After all, social,
dietary, and physical factors also play into someone’s gradual development, as well as how people are
taught to perceive and judge their communal surroundings. I
wasn’t too keen on the sly method Bruce used to attack his father either, almost as if this was an additional punctuation towards their bipolar
origins, rather than an attack at what he was trying to do.
2) The World We Live In:
Have you ever read an imaginary story
published in the fifties or the sixties? Something like issue 172 of the ‘World’s Finest’, perhaps? (cover-dated December, 1967) Where a young Bruce Wayne was adopted by Ma and Pa Kent and became Clark's brother! Or alternatively, ‘Detective
Comics’ issue 347? (cover-dated January, 1966) Where Batman
passed away and was replaced by a doppelgänger
from another universe! If not, don’t worry, because now you can read this
bodacious brand of adventure courtesy of ‘City of Bane’. Well,
in all fairness, this story does come across as if it were an imaginary story, especially when you
take into account that it features a number of alternate and bizarre
scenarios that are not akin to the norm. For instance, The Riddler and The Joker
are now partners in the Gotham City
Police Department, Professor Hugo
Strange has replaced Jim as Commissioner of Police, and The Ventriloquist has likewise replaced
Alfred Pennyworth as The Wayne’s butler. So, as you can see, things
seem pretty wild at the moment. Too
wild, some might say, and too disposable
as well, considering that this type of story never sticks and usually comes with a time-limit.
3) The Undynamic
Duo: When Gotham Girl was first
introduced at the beginning of Tom
King’s run (issue 1 - post Rebirth), I was honestly hoping that
she would be Batman’s new superhero sidekick and join the rest of the cast.
Well, it would be nice if he had some super-powered
assistance from time to time, and to some degree, I’m sure she would also give
him the opportunity to expand upon the
range of adventures he could get involved with. But now, thanks to you know
who, I’m afraid to say that this isn't going to happen because she’s been transformed into an irritating, annoying, and clichéd stooge. In fact, she's become so annoying, that during
her confrontation with Solomon Grundy
and Amygdala, her nervous jibba-jabber seemed more
like exposition than charming banter, whereas the fight in itself
seemed more like a one-sided demonstration
than a dramatic action scene. So,
with some benefit of hindsight, it looks like her personality has been perverted and distorted beyond recognition.
4) The Appropriate
Artists: Who do you think is a better artist out of Tony Daniel and Mikel Janin?
Personally, I like to think that they’re both great, that's for sure, as I
particularly liked the way their styles
complemented the episodes they each illustrated. Mikel, for instance, has a clean
and cinematic style that suits the panoramas
and enclosed spaces depicted in issue 74. Whereas Tony (the artist on issue 75), has a bolder and more vivid
style that’s both cartoonish and detailed by design. I also appreciated the more lucid style Mitch Gerads exhibited during the
backup feature inserted at the end of the said same issue. Although, in his case, some
of his illustrations appeared less conventional
and more avant-garde compared to the
other two.
5) The References:
If you’re a fan of comic book references, then I’m sure you’re going to
enjoy spotting those featured within these two episodes. Well, to my knowledge,
issue 74 had at least two notable
references, such as the Russian parable
Bruce's Dad told him during issue 57,
along with the implication that Thomas killed Talia Al Ghul during her original comic book debut (Detective Comics #411, circa May, 1971).
Whereas issue 75, had even more
references included throughout its telling; ranging from Dr
Double X (an old Batman villain), to Sprang
Apartment (in honor of the artist, Dick Sprang), to the Psycho-Pirate (back in
Arkham), to Bruce’s Tibetan training
(allegedly), to the other members of
the bat family (wink-wink), to Lex
Luthor's world-dominating shenanigans (yawn). All of which gave this story
a nice little touch which was both associative and fun for the fans.
So in conclusion, I would just like to say that these two
episodes weren’t bad but they weren’t great either. Even though the art was nice and some of the ideas showed a lot of promise, in the
same breath, there were a few illogical
discrepancies which hindered certain characters and my overall enjoyment. Nonetheless, I’m sure the
best is yet to come, and I can’t wait to see how things play out next
month.
THE MUSIC:
For this month’s musical match-up, I'm going to align these
episodes with the Cat Stevens song,
‘Father and Son’, because of those
scenes featuring Bruce and Thomas.
THE COMPARISON:
I’m going to compare these two issues to Bizarro World because of the way
everything has now been flipped upside down.
Case closed, and comparison made.
THE CONCLUSION:
Near the end of issue
75, Bruce Wayne comes face to face with someone he deeply cares for. So,
out of the following eight candidates, let’s see if you can guess who this
person is? I mean, could it be…
- Dick Grayson.
- Clark Kent.
- Talia al Ghul.
- Damian Wayne.
- Selina Kyle.
- Tim Drake.
- Alfred Pennyworth.
- Martha Wayne.
Nuff said.
BATMAN #74 & #75
Reviewed by David Andrews
on
July 30, 2019
Rating:
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